Esther Kazantseva

Almoneda: Sale at public auction of movable goods, generally used. And also: private and voluntary sale of jewelry and junk that is made without the intervention of justice. Formerly, it was nothing more than the market or sale of things and spoils won from the enemy in war.

Nowadays, the almoneda is practically associated with spaces where the sale of "old things" takes place and, in Madrid, they are usually concentrated in the area of El Rastro, an open-air market that is set up on Sundays and some holidays in the center of Madrid. There, you can find everything and, if you walk around a lot and look hard enough, great typographic finds. It is there where I find a large number of elements (usually from the late nineteenth and early twentieth century) such as boxes, posters, books, etc.. in which appear uppercase letters with a variety of shapes, letters embedded, rare ligatures ... In addition, many elements extracted from street signs, tiles from bars and commemorative elements of Madrid have been used to complete this font design made with care and patience.

Thus was born Almoneda, a modern typeface with a marked axis and great contrast, and an uppercase with several sets of characters to play with and enjoy. It also includes a large number of ligatures and discretionary ligatures. A Variable font is included with the full package license.

Almoneda, a typeface that will not leave you indifferent. They take it out of my hands, hey!

Flawless Valentines is a beautiful and light handwritten font. Its unique feel and stunning impact will add a luxury spark to any design project you wish to create!

This font is PUA encoded, which means you can access all of the amazing glyphs and ligatures with ease!

Each Font Has:

• Stylish modern handwritten script
• Beautiful Swash (Ending tail)
• Beautiful Titling (Beginning tail)
• Special Ligatures
• Multilingual Support

Piacere Text is a simplified serif version of the Piacere typeface. Its design is spacious, full of air, with broad letters and wide serifs. In musical terms, piacere means pleasure, so type with pleasure, or “Digita con Piacere”!

The font family supports up to 178 languages, contains Light, Regular, Italic, Bold styles, has OpenType features such as Small Caps, Oldstyle Figures, Standard and Discretionary Ligatures, Localized Forms, and others.

View PDF Specimen: https://michaelrafailyk.com/typeface/specimen/PiacereText.pdf

Styles: Light, Regular, Italic, Bold.

Italic style has an extreme angle of 21.8 degrees. The lowercase (and some uppercase) letters have a different (cursive) construction from Regular.

Localized Forms: 47 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Moldavian, Polish, Romanian, Tatar, Turkish.

Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (561 characters). Precomposed.

Small Caps: Lowercase letters are replaced with Small Capitals. Note that Small Capitals are the same height as the lowercase letters (x-height) so they also can be called Petite Caps.

Capitals to Small Caps: Uppercase letters, figures, and some punctuation are replaced with Small Capitals. Figures are proportional. The smcp and c2sc features are included in all styles.

Lining Figures: 0123456789. Figures are the same height as uppercase letters (cap height). Proportional, used by default.

Oldstyle Figures: 0123456789 #%‰. Designed to match with lowercase letters. Figures are differ from both Lining and Small Caps Figures. Proportional.

Ordinals: adehnorst.

Superscript, Subscript, Numerator, Denominator: 0123456789.

Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator.

Slashed Zero: All 0 figures, including Lining, Oldstyle, Small Caps, Superscript, Subscript, Numerator, Denominator, and Fractions.

Stylistic Set "Lowercase centered at": @ character is vertically aligned with lowercase letters.

Contextual Alternates: ΆΈΉΊΌΎΏ. Greek uppercase (All Caps, Small Caps) accented characters lose their tonos accent and retain only dieresis. Turned on by default. If you need tonos accents in All Caps and Small Caps then turn off Contextual Alternates (calt) feature.

Standard Ligatures: fi fl fb fh fj fk qj qp. Turned on by default.

Discretionary Ligatures: at bh bk bt ch ck cp ct eh ek et oh ok ot rt sh sk sp st. The feature adds old typographic ligatures. Turned off by default.

Language count: 178.

Glyph count: 1670.

Kerning Class pairs: 1164.

Hinting: Manual PostScript.

Supported languages: Afar, Afrikaans (Latin), Aghem, Akan, Albanian, Asturian, Asu, Azerbaijani (Latin, Cyrillic), Bafia, Basaa, Basque, Belarusian, Bemba, Bena, Bislama, Bosnian, Breton, Bulgarian, Catalan, Chamorro, Chechen, Chewa (Latin), Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dinka, Duala, Dutch, Embu, English, Erzya, Esperanto, Estonian, Ewe, Ewondo, Faroese, Filipino, Finnish, French, Friulian, Frisian, Fula, Galician, Ganda, German, Greek, Greenlandic (Kalaallisut), Guarani, Gusii (Latin), Hausa (Latin), Hawaiian, Hungarian, Icelandic, Igbo (Latin), Indonesian, Irish, Italian, Jola, Kabuverdianu, Kabyle (Latin), Kako, Kalenjin, Kamba, Karelian, Kashubian, Kikuyu, Kinyarwanda (Ruanda), Kirundi (Rundi), Koyra Chiini, Koyraboro Senni, Kumyk, Kurdish, Kwasio, Ladin, Lakota, Langi, Latvian, Lingala, Lithuanian, Low German, Luba-Katanga, Luo, Luxembourgish, Luyia, Maasai, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy (Latin), Malay (Latin), Maltese, Manx, Maori, Marshallese, Mauritian Creole (Morisyen), Meru, Meta' (Latin), Moksha, Mongolian (Cyrillic), Mundang, Nama, Ngiemboon, Ngomba, North Ndebele, Norwegian (Bokmål, Nynorsk), Nuer, Nyankole, Occitan, Oromo, Ossetic (Cyrillic), Papiamentu, Polish, Portuguese, Prussian, Quechua, Romani, Romanian, Romansh, Rombo, Russian, Rusyn, Rwa, Sakha, Samburu, Sami (Inari, Northern), Samoan, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovene, Soga, Somali, Sorbian, Sotho, Spanish, Swahili, Swedish, Swiss German, Tachelhit (Latin), Tagalog, Taita, Tasawaq, Tatar (Cyrillic, Latin), Teso, Tongan, Tsonga, Tswana, Turkish, Turkmen (Latin), Ukrainian, Ulithian, Uzbek (Latin, Cyrillic), Vai, Venda, Vietnamese, Volapük, Vunjo, Walloon, Walser, Welsh, Wolof (Latin), Xhosa, Yangben, Yapese, Yoruba (Latin), Zarma, Zulu.

Font TD Stargorod.

Supports:

Cyrillic, Latin, Extended Latin, Extended Cyrillic.

Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

The Dava typeface is the result of almost two years of self-study. Dava is a screen sans serif font that is small but fun. His family is small and has fine, regular, bold, fine slant, regular slant, and slanted bold weights.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Mediterra is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic.

Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

This is calligraphic font.

Good for posters and invitations.

Best to use this font from 24pt size.

This is a block font style really dynamic. The blocks have a good harmony between them, every letter have the same width, this is comfortable when work on poster or on a big text. The rounded final of letter give a dynamic effect than a square final.

Undulated is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. Undulated is similar to the typeface Undulate. Both alternate two sets of characters to form a wavy line of text. This alternating is done automatically in applications that support the OpenType feature contextual alternatives (calt). However, the peaks and valleys of the wave are in the middle of the characters in Undulate while in Undulated the peaks and valleys are at the right and left edges of each character. The waves in Undulated seem more chaotic and less soothing than the waves in Undulate.

Undulated has monospaced and monoline letters. The letter spacing is tight to accentuate the ripple pattern. The family includes an outline style that can be used in a layer above the regular style to add color. The unusual patterns that Undulated gives are eye-catching and may be useful for advertising or signage and in other places where one wants attention-grabbing lettering.

Holiday Meladine is a modern script font that features a classic and elegant touch.

Holiday Meladines are attractive because they are sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to their many fancy letter joints. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . .

Files include:

• Holiday Meladine

• Holiday Meladine Slant

Contains full set:

-Has 2 font models, Regular and Slant

-Uppercase

-Lowercase

-Alternative

-Punctuation

-Number

-Multilingual support.

need help or have questions let me know. I'm happy to help.

Thanks & Congratulations on the Design!

Designed at ParaType in 1997 by Tagir Safayev for advertising and display typography. Based on Block of H. Berthold, 1908 by Heinz Hoffmann. A bold sans of a typical German pattern.